( ISSN 2277 - 9809 (online) ISSN 2348 - 9359 (Print) ) New DOI : 10.32804/IRJMSH

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CAVE PAINTING : THE GRANDIOSITY OF INDIAN ART

    1 Author(s):  SHOBHA

Vol -  8, Issue- 12 ,         Page(s) : 321 - 329  (2017 ) DOI : https://doi.org/10.32804/IRJMSH

Abstract

The conquest of India by Islam over a period of five centuries divided Indian art into two streams: a classical period, which began with the foundation of the Manrya Empire in the 3rd century BCE. and which ended with Moslem infiltration in the 13th and 14th centuries; and the so-called Mughal (Mughal) period, from the 14th to 19th centuries, during which the splendours of the ancient structures were used with profit by a new society giving birth to a hitherto unknown plastic language. Between these two phases, a period of three centuries, from the 13th to the 16th, served as a buffer between the shock of Hinduism and that of Islam, and was a time of artistic transition.

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