( ISSN 2277 - 9809 (online) ISSN 2348 - 9359 (Print) ) New DOI : 10.32804/IRJMSH

Impact Factor* - 6.2311

**Need Help in Content editing, Data Analysis.

Research Gateway

Adv For Editing Content

   No of Download : 19    Submit Your Rating     Cite This   Download        Certificate


    1 Author(s):  ANUPAMA DEY

Vol -  13, Issue- 4 ,         Page(s) : 252 - 259  (2022 ) DOI : https://doi.org/10.32804/IRJMSH


The worship and importance of mother-power have been prevalent in India from the very beginning. Evidence of worshiping the idols of Mother-Goddess has been found in the form of clay and stone idols. The representation of women has been done in various art forms from the beginning, such as - female figures in Ajanta frescoes and sculptures of female figures on Khajuraho temples. A woman is also depicted in the picture of 'Shakuntala' painted by modern painter Raja Ravi Varma, the poem 'Mansi' composed by Rabindranath Tagore, and Munshi Premchand's novel 'Nirmala' is also based on women. In this way, there has been a deep relationship between art and women. Since ancient times, 'Women Beauty' has motivated artists for art creation and aesthetic expression.

Bhowmick, Ashok. Akal  Ki Kala Aur Zainul Abedin. Ankita Prakashan, Ghaziabad, 2014. 
Bhowmick, Ashok. Samkalin Bhartiya Chitrakala Hussein Ke Bahane, Ankita Prakashan, Ghaziabad, 2012. 
Gupta, Dr. Dinesh Chandra. Bhartiya Chitra Me Nari Ankan Parampara, Dharma Prakashan, Allahabad, 2003.
Dahejia, Vidya. Issues of Spectatorship and Representation. The Book Review Literary Trust, New Delhi, 1997.
Aitken, Molly Emma. Spectatorship and Femininity in Kangra Style Painting. The Book Review Literary Trust, New Delhi, 1997.

*Contents are provided by Authors of articles. Please contact us if you having any query.

Bank Details