Sigmund Freud’s psychological theories can be used with reference to the evaluation of literary works. Reading novels, poems and different compositions via the lens of psychoanalysis offers the chance to analyse and consider the works of literature in their genesis and presentation. Freudian doctrine can be viewed as a analyzing device that permits the investigation of the enigmatic areas of human ride and therefore, its important contribution to literature is associated to the discovery of hidden elements of the text, of the author and of the reader as well. In this article, the principal characters of two Victorian novels, Wuthering Heights and Jane Eyre are analysed regarding the tripartite shape of the thought alongside with the Oedipus complex, the evaluation of goals and different components of sexuality. Several passages from the two works are highlighted and mentioned in accordance to the psychoanalytical theories with a essential center of attention on the characters: Heathcliff and Catherine and then Jane and Mr. Rochester. The significance of the interpretative potential of psychoanalysis is extensively emphasized.